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Dune Master A Frank Herbert Bibliography Sample

Conserving the balance: Frank Herbert's ``Dune'' as propaganda

Barbara Ann Silliman, University of Rhode Island


Conserving the Balance: Frank Herbert's DUNE as Propaganda examines Herbert's masterpiece work of science fiction literature as a form of propaganda. It evaluates the source of the propaganda, the avenues of dissemination of the propagandistic elements, and the successes and failures of the attempts at propagandizing.^ The first chapter is devoted to a short history of American twentieth century science fiction with a longer section devoted to the various literary criticisms of the genre. The criticisms cover a period from the early 1950s until the early 1990s and range from a general view of the genre and its legitimacy as literature to specific criticisms, such as American heroic, mythic, and feminist. A beginning review of propaganda criticism is made as well.^ The second chapter evaluates the issues and themes of Dune using several accepted critical analyses. These include historical, heroic, epic, psychological, gender (masculist and feminist), religious, and ecological critical approaches.^ The third chapter focuses on the propaganda issues in Dune. First, a brief survey is made of Herbert's views on science fiction and its writing, followed by important biographical circumstances which influenced the writing of the novel. A more complete review of the nature of propaganda in literature and the formulation of propaganda in Dune is made evaluating the setting, cultural analogies, ecological constraints, evolution of the hero, religion as a sociopolitical and cultural force, the place of women and drugs in the culture of Dune, and the deviants and the natural order of things in the ecology of Dune.^ The fourth chapter assesses Herbert's achievement in Dune, evaluating the success and failure of the propaganda messages being received by the target-reader. The film version is evaluated along with book and film reviews to finally measure the success and failure of Herbert's propagandist efforts. ^

Subject Area

Literature, American|Mass Communications

Recommended Citation

Barbara Ann Silliman, "Conserving the balance: Frank Herbert's ``Dune'' as propaganda" (1996). Dissertations and Master's Theses (Campus Access). Paper AAI9702075.


Since April 17, 2006


For the New Jersey politician, see Frank Herbert (politician).

Frank Herbert

Frank Herbert 1984

BornFranklin Patrick Herbert, Jr.[1]
(1920-10-08)October 8, 1920
Tacoma, Washington, U.S.
DiedFebruary 11, 1986(1986-02-11) (aged 65)
Madison, Wisconsin, U.S.
Alma materUniversity of Washington(no degree)
GenreScience fiction
Literary movementNew Wave

Franklin Patrick Herbert, Jr. (October 8, 1920 – February 11, 1986) was an American science fiction writer best known for the novel Dune and its five sequels. Though he became famous for science fiction, he was also a newspaper journalist, photographer, short story writer, book reviewer, ecological consultant and lecturer.

The Dune saga, set in the distant future and taking place over millennia, deals with complex themes such as human survival and evolution, ecology, and the intersection of religion, politics, and power. Dune itself is the best-selling science fiction novel of all time[2] and the series is widely considered to be among the classics of the genre.


Early life[edit]

Frank Herbert was born on October 8, 1920, in Tacoma, Washington, to Frank Patrick Herbert, Sr. and Eileen (McCarthy) Herbert. Because of a poor home environment, he ran away from home in 1938 to live with an aunt and uncle in Salem, Oregon.[3] He enrolled in high school at Salem High School (now North Salem High School), where he graduated the next year.[3] In 1939 he lied about his age to get his first newspaper job at the Glendale Star.[4] Herbert then returned to Salem in 1940 where he worked for the Oregon Statesman newspaper (now Statesman Journal) in a variety of positions, including photographer.[3]

He served in the U.S. Navy's Seabees for six months as a photographer during World War II, then he was given a medical discharge. He married Flora Parkinson in San Pedro, California in 1940. They had a daughter, Penny (b. February 16, 1942), but divorced in 1945.

After the war Herbert attended the University of Washington, where he met Beverly Ann Stuart at a creative writing class in 1946. They were the only students who had sold any work for publication; Herbert had sold two pulp adventure stories to magazines, the first to Esquire in 1945, and Stuart had sold a story to Modern Romance magazine. They married in Seattle, Washington on June 20, 1946 and had two sons, Brian Patrick Herbert (b. June 29, 1947, Seattle, Washington) and Bruce Calvin Herbert (b. June 26, 1951, Santa Rosa, California d. June 15, 1993, San Rafael, California, a professional photographer and gay rights activist[5]).

In 1949 Herbert and his wife moved to California to work on the Santa Rosa Press-Democrat. Here they befriended the psychologists Ralph and Irene Slattery. The Slatterys introduced Herbert to the work of several thinkers who would influence his writing, including Freud, Jung, Jaspers and Heidegger; they also familiarized Herbert with Zen Buddhism.[6]

Herbert did not graduate from the university; according to his son Brian, he wanted to study only what interested him and so did not complete the required curriculum. He returned to journalism and worked at the Seattle Star and the Oregon Statesman. He was a writer and editor for the San Francisco Examiner'sCalifornia Living magazine for a decade.

In a 1973 interview, Herbert stated that he had been reading science fiction "about ten years" before he began writing in the genre, and he listed his favorite authors as H. G. Wells, Robert A. Heinlein, Poul Anderson and Jack Vance.[7]

Herbert's first science fiction story, "Looking for Something", was published in the April 1952 issue of Startling Stories, then a monthly edited by Samuel Mines. Three more of his stories appeared in 1954 issues of Astounding Science Fiction and Amazing Stories.[8] His career as a novelist began in 1955 with the serial publication of Under Pressure in Astounding from November 1955; afterward it was issued as a book by Doubleday, The Dragon in the Sea.[8] The story explored sanity and madness in the environment of a 21st-century submarine and predicted worldwide conflicts over oil consumption and production.[9] It was a critical success but not a major commercial one. During this time Herbert also worked as a speechwriter for Republican senator Guy Cordon.[10]


Herbert began researching Dune in 1959. He was able to devote himself wholeheartedly to his writing career because his wife returned to work full-time as an advertising writer for department stores, becoming the breadwinner during the 1960s. He later told Willis E. McNelly that the novel originated when he was supposed to do a magazine article on sand dunes in the Oregon Dunes near Florence, Oregon. He became too involved and ended up with far more raw material than needed for an article. The article was never written, but instead planted the seed that led to Dune.

Dune took six years of research and writing to complete and it was much longer than commercial science fiction of the time was supposed to run. Analog (the renamed Astounding, still edited by John W. Campbell) published it in two parts comprising eight installments, "Dune World" from December 1963 and "Prophet of Dune" in 1965.[8] It was then rejected by nearly twenty book publishers. One editor prophetically wrote, "I might be making the mistake of the decade, but ...".[11]

Sterling E. Lanier, an editor of Chilton Book Company (known mainly for its auto-repair manuals) had read the Dune serials and offered a $7,500 advance plus future royalties for the rights to publish them as a hardcover book.[12] Herbert rewrote much of his text.[13]Dune was soon a critical success.[11] It won the Nebula Award for Best Novel in 1965 and shared the Hugo Award in 1966 with ...And Call Me Conrad by Roger Zelazny.[14]Dune was the first major ecological science fiction novel, embracing a multitude of sweeping, interrelated themes and multiple character viewpoints, a method that ran through all Herbert's mature work.

Dune was not immediately a bestseller. By 1968 Herbert had made $20,000 from it, far more than most science fiction novels of the time were generating, but not enough to let him take up full-time writing. However, the publication of Dune did open doors for him. He was the Seattle Post-Intelligencer's education writer from 1969 to 1972 and lecturer in general studies and interdisciplinary studies at the University of Washington (1970–1972). He worked in Vietnam and Pakistan as social and ecological consultant in 1972. In 1973 he was director-photographer of the television show The Tillers.[15]

A man is a fool not to put everything he has, at any given moment, into what he is creating. You're there now doing the thing on paper. You're not killing the goose, you're just producing an egg. So I don't worry about inspiration, or anything like that. It's a matter of just sitting down and working. I have never had the problem of a writing block. I've heard about it. I've felt reluctant to write on some days, for whole weeks, or sometimes even longer. I'd much rather go fishing, for example, or go sharpen pencils, or go swimming, or what not. But, later, coming back and reading what I have produced, I am unable to detect the difference between what came easily and when I had to sit down and say, "Well, now it's writing time and now I'll write." There's no difference on paper between the two.[16]

— Frank Herbert

By 1972, Herbert retired from newspaper writing and became a full-time fiction writer. During the 1970s and 1980s, Herbert enjoyed considerable commercial success as an author. He divided his time between homes in Hawaii and Washington's Olympic Peninsula; his home in Port Townsend[17] on the peninsula was intended to be an "ecological demonstration project".[18] During this time he wrote numerous books and pushed ecological and philosophical ideas. He continued his Dune saga, following it with Dune Messiah, Children of Dune, and God Emperor of Dune. Other highlights were The Dosadi Experiment, The Godmakers, The White Plague and the books he wrote in partnership with Bill Ransom: The Jesus Incident, The Lazarus Effect, and The Ascension Factor which were sequels to Destination: Void. He also helped launch the career of Terry Brooks with a very positive review of Brooks' first novel, The Sword of Shannara, in 1977.[19]

Success, family changes, and death[edit]

Herbert's change in fortune was shadowed by tragedy. In 1974, Beverly underwent an operation for cancer. She lived ten more years, but her health was adversely affected by the surgery.[20] During this period, Herbert was the featured speaker at the Octocon II science fiction convention at the El Rancho Tropicana in Santa Rosa, California in October 1978; in 1979, he met anthropologist James Funaro with whom he conceived the Contact Conference. Beverly Herbert died on February 7, 1984, the same year that Heretics of Dune was published; in his afterword to 1985's Chapterhouse: Dune, Frank Herbert wrote a eulogy for her.

In 1983, British heavy metal band Iron Maiden requested permission from Herbert's publisher to name a song on their album Piece of Mind after Dune, but were told that the author had a strong distaste for their style of music. They instead titled the song "To Tame a Land".

1984 was a tumultuous year in Herbert's life. During this same year of his wife's death, his career took off with the release of David Lynch's film version of Dune. Despite high expectations, a big-budget production design and an A-list cast, the movie drew mostly poor reviews in the United States. However, despite a disappointing response in the USA, the film was a critical and commercial success in Europe and Japan.[13]

After Beverly's death, Herbert married Theresa Shackleford in 1985, the year he published Chapterhouse: Dune, which tied up many of the saga's story threads. This would be Herbert's final single work (the collection Eye was published that year, and Man of Two Worlds was published in 1986). He died of a massive pulmonary embolism while recovering from surgery for pancreatic cancer on February 11, 1986 in Madison, Wisconsin age 65. He was raised a Catholic but adopted Zen Buddhism as an adult.[21]

Criticism of government[edit]

Herbert was a strong critic of the Soviet Union. He was a distant relative of the controversial Republican senator, Joseph McCarthy, whom he referred to as "Cousin Joe." Herbert was appalled to learn of McCarthy's blacklisting of suspected Communists from working in certain careers and believed that he was endangering essential freedoms of citizens of the United States.[22] Herbert believed that governments lie to protect themselves and that, following the infamous Watergate scandal, President Richard Nixon had unwittingly taught an important lesson in not trusting government.[23]

In Chapterhouse: Dune, he wrote:[citation needed]

All governments suffer a recurring problem: Power attracts pathological personalities. It is not that power corrupts but that it is magnetic to the corruptible. Such people have a tendency to become drunk on violence, a condition to which they are quickly addicted.

— Frank Herbert, Chapterhouse: Dune

Ideas and themes[edit]

I think science fiction does help, and it points in very interesting directions. It points in relativistic directions. It says that we have the imagination for these other opportunities, these other choices. We tend to tie ourselves down to limited choices. We say, "Well, the only answer is ..." or, "If you would just ...". Whatever follows these two statements narrows the choices right there. It gets the vision right down close to the ground so that you don't see anything happening outside. Humans tend not to see over a long range. Now we are required, in these generations, to have a longer range view of what we inflict on the world around us. This is where, I think, science fiction is helping. I don't think that the mere writing of such a book as Brave New World or 1984 prevents those things which are portrayed in those books from happening. But I do think they alert us to that possibility and make that possibility less likely. They make us aware that we may be going in that direction.[citation needed]
— Frank Herbert

Frank Herbert used his science fiction novels to explore complex[24] ideas involving philosophy, religion, psychology, politics and ecology. The underlying thrust of his work was a fascination with the question of human survival and evolution. Herbert has attracted a sometimes fanatical fan base, many of whom have tried to read everything he wrote, fiction or non-fiction, and see Herbert as something of an authority on the subject matters of his books. Indeed, such was the devotion of some of his readers that Herbert was at times asked if he was founding a cult,[25] something he was very much against.

There are a number of key themes in Herbert's work:

  • A concern with leadership. He explored the human tendency to slavishly follow charismatic leaders. He delved into both the flaws and potentials of bureaucracy and government.[9]
  • Herbert was the first science fiction author to popularize ideas about ecology[26] and systems thinking. He stressed the need for humans to think both systematically and long term.[27]
  • The relationship between religion, politics and power.[28]
  • Human survival and evolution: Herbert writes of the Fremen, the Sardaukar, and the Dosadi, who are molded by their terrible living conditions into dangerous super races.[citation needed]
  • Human possibilities and potential: Herbert offered Mentats, the Bene Gesserit and the Bene Tleilax as different visions of human potential.[citation needed]
  • The nature of sanity and madness. Frank Herbert was interested in the work of Thomas Szasz and the anti-psychiatry movement. Often, Herbert poses the question, "What is sane?", and while there are clearly insane behaviors and psychopathies as evinced by characters (Piter De Vries for instance), it is often suggested that normal and abnormal are relative terms which humans are sometimes ill-equipped to apply to one another, especially on the basis of statistical regularity.[9]
  • The possible effects and consequences of consciousness-altering chemicals, such as the spice in the Dune saga, as well as the "Jaspers" fungus in The Santaroga Barrier, and the Kelp in the Destination:Void sequence.[9]
  • How language shapes thought. More specifically, Herbert was influenced by Alfred Korzybski's General Semantics.[29]Algis Budrys wrote that his knowledge of language and linguistics "is worth at least one Ph.D. and the Chair of Philology at a good New England college".[30]
  • Sociobiology. How our instincts unconsciously influence our behavior and society.[citation needed]
  • Learning, teaching, and thinking.[9]

Frank Herbert refrained from offering his readers formulaic answers to many of the questions he explored.[9]

Status and influence on science fiction[edit]

Dune and the Dune saga constitute one of the world's best-selling science fiction series and novels; Dune in particular has received widespread critical acclaim, winning the Nebula Award in 1965 and sharing the Hugo Award in 1966, and is frequently considered one of the best science fiction novels ever, if not the best.[31]Locus subscribers voted it the all-time best SF novel in 1975, again in 1987, and the best "before 1990" in 1998.[32]

Dune is considered a landmark novel for a number of reasons:

  • Dune is a landmark of soft science fiction. Herbert deliberately suppressed technology in his Dune universe so he could address the future of humanity, rather than the future of humanity's technology. Dune considers the way humans and their institutions might change over time.[33][34]
  • Dune was the first major ecological science fiction novel. Frank Herbert was a great popularizer of scientific ideas; many of his fans credit Frank Herbert for introducing them to philosophy and psychology. In Dune he helped popularize the term ecology and some of the field's concepts, vividly imparting a sense of planetary awareness.[citation needed] Gerald Jonas explains in The New York Times Book Review: "So completely did Mr. Herbert work out the interactions of man and beast and geography and climate that Dune became the standard for a new subgenre of 'ecological' science fiction." As popularity of Dune rose, Herbert embarked on a lecture tour of college campuses, explaining how the environmental concerns of Dune's inhabitants were analogous to our own.[citation needed]
  • Dune is considered an epic example of literary world-building. The Library Journal reports that "Dune is to science fiction what The Lord of the Rings is to fantasy". Arthur C. Clarke is quoted as making a similar statement on the back cover of a paper edition of Dune.[35] Frank Herbert imagined every facet of his creation. He lovingly included glossaries, quotes, documents, and histories, to bring his universe alive to his readers. No science fiction novel before it had so vividly realized life on another world.[9]

Herbert never again equalled the critical acclaim he received for Dune. Neither his sequels to Dune nor any of his other books won a Hugo or Nebula Award, although almost all of them were New York Times Best Sellers.[citation needed][36] Some felt that Children of Dune was almost too literary and too dark to get the recognition it may have deserved; others felt that The Dosadi Experiment lacked an epic quality that fans had come to expect.[citation needed]

Malcolm Edwards in the Encyclopedia of Science Fiction wrote:

Much of Herbert's work makes difficult reading. His ideas were genuinely developed concepts, not merely decorative notions, but they were sometimes embodied in excessively complicated plots and articulated in prose which did not always match the level of thinking [...] His best novels, however, were the work of a speculative intellect with few rivals in modern science fiction.[37]

The Science Fiction Hall of Fame inducted Herbert in 2006.[36][38][39]

California State University, Fullerton's Pollack Library has several of Herbert's draft manuscripts of Dune and other works, with the author's notes, in their Frank Herbert Archives.[40]


Main article: Frank Herbert bibliography

Posthumously published works[edit]

Beginning in 2012, Herbert's estate and WordFire Press have released four previously unpublished novels in e-book and paperback formats: High-Opp (2012),[41]Angels' Fall (2013),[42]A Game of Authors (2013),[43] and A Thorn in the Bush (2014).[44]

In recent years, Frank Herbert's son Brian Herbert and author Kevin J. Anderson have added to the Dune franchise, using notes left behind by Frank Herbert and discovered over a decade after his death. Brian Herbert and Anderson have written two prequel trilogies (Prelude to Dune and Legends of Dune) exploring the history of the Dune universe before the events within Dune, as well as two post-Chapterhouse Dune novels that complete the original series (Hunters of Dune and Sandworms of Dune) based on Frank Herbert's own Dune 7 outline.[45][46][47][48][49][50][51][52]

See also[edit]


  1. ^"Google Books - Dune". Retrieved January 21, 2018.  
  2. ^"SCI FI Channel Auction to Benefit Reading Is Fundamental". PNNonline.org (Internet Archive). March 18, 2003. Archived from the original on September 28, 2007. Retrieved September 28, 2007.  
  3. ^ abc[Herbert, Brian. Dreamer of Dune : The Biography of Frank Herbert. New York: Tor Books, 2003. ISBN 0-765-30646-8] Chapter 2.
  4. ^"Frank Herbert, author of sci-fi best sellers, dies". Pittsburgh Post-Gazette. February 13, 1986. Retrieved July 27, 2009. 
  5. ^"Marin County – Newspaper Obituaries of AIDS Victims". MARIN INDEPENDENT JOURNAL. Retrieved March 26, 2011. 
  6. ^Irene Slattery had been a former student of Jung's in Zurich. See Touponce, William F. (1988), Frank Herbert, Boston, Massachusetts: Twayne Publishers imprint, G. K. Hall & Co, ISBN 0-8057-7514-5 (p. 9-10).
  7. ^"Well, I did read some Heinlein. I shouldn't really tie it down to ten years because I had read H. G. Wells. I'd read Vance, Jack Vance, and I became acquainted with Jack Vance about that time ... I read Poul Anderson.""Vertex Magazine Interview". Archived from the original on October 21, 2012. Retrieved 2012-10-21.  with Frank Herbert, by Paul Turner. October 1973 Volume 1, Issue 4.
  8. ^ abcFrank Herbert at the Internet Speculative Fiction Database (ISFDB). Retrieved 2013-04-24. Select a title to see its linked publication history and general information. Select a particular edition (title) for more data at that level, such as a front cover image or linked contents.
  9. ^ abcdefgGina Macdonald, "Herbert, Frank (Patrick)", in Twentieth-Century Science-Fiction Writers by Curtis C. Smith. St. James Press, 1986, ISBN 0-912289-27-9 (p.331-334).
  10. ^Richards, Linda L. "The Sons of DUne". januarymagazine.com. January Magazine. Retrieved August 31, 2014. 
  11. ^ ab"BBC – h2g2". Edited guide entry, Frank Patrick Herbert, Jr. – Author. British Broadcasting Company. October 28, 2008. Retrieved May 26, 2014. 
  12. ^"Sandworms of Dune Blog". Frankherbert.org. Archived from the original on May 16, 2013. Retrieved April 27, 2013. 
  13. ^ abLiukkonen, Petri. "Frank Herbert". Books and Writers (kirjasto.sci.fi). Finland: Kuusankoski Public Library. Archived from the original on April 27, 2014. 
  14. ^"Herbert, Frank"Archived October 16, 2012, at the Wayback Machine.. The Locus Index to SF Awards: Index of Literary Nominees. Locus Publications. Retrieved 2013-04-18.
  15. ^Herbert, Brian. Dreamer of Dune : The Biography of Frank Herbert. New York: Tor Books, 2003, pg. 257–258, ISBN 0-765-30646-8 "[Frank Herbert completed] a half-hour documentary film based upon field work he had done with Roy Prosterman in Pakistan [and] Vietnam ... Entitled The Tillers, it was written, filmed and directed by Frank Herbert. ... it appeared on King Television in Seattle and on the Public Broadcasting System."
  16. ^Herbert quoted in Murray, Donald Morison (Editor) Shoptalk: learning to write with writers (1990) Cook Publishers, 1990.
  17. ^Frank Herbert: Science Fiction Author; A Plowboy Interview with Frank Herbert, science fiction's yellow journalist and a homesteading techno-peasant, Mother Earth News, May–June 1981, retrieved 2011-01-10 
  18. ^Touponce, William F. (1988), Frank Herbert, Boston, Massachusetts: Twayne Publishers imprint, G. K. Hall & Co, ISBN 0-8057-7514-5; PS3558.E63Z89  – Chronology
  19. ^Shawn Speakman, Website History, Terrybrooks.net, archived from the original on September 14, 2012, retrieved June 22, 2011 
  20. ^Herbert, Frank P. (1987), Chapterhouse: Dune, New York City: The Berkley Publishing Group, Ace Books, pg. 436, ISBN 0-441-10267-0. "It was typical of her that she wanted me to call the radiologist whose treatment in 1974 was the proximate cause of her death and thank him..."
  21. ^"The religion of Frank Herbert, leading science fiction writer". Adherents.com. Retrieved 2013-04-27. 
  22. ^Herbert, Brian (2003). Dreamer of Dune: The Biography of Frank Herbert. MacMillan. p. 91. Retrieved February 13, 2015. 
  23. ^Herbert, Brian (2003). Dreamer of Dune: The Biography of Frank Herbert. MacMillan. Retrieved February 13, 2015. 
  24. ^"With its blend (or sometimes clash) of complex intellectual discourse and Byzantine intrigue, Dune provided a template for FH's more significant later works. Sequels soon began to appear which carried on the arguments of the original in testingly various manners and with an intensity of discourse seldom encountered in the sf field. Dune Messiah (1969) elaborates the intrigue at the cost of other elements, but Children of Dune (1976) recaptures much of the strength of the original work and addresses another recurrent theme in FH's work – the evolution of Man, in this case into SUPERMAN;..." "Frank Herbert," The Encyclopedia of Science Fiction.
  25. ^Herbert, Frank (July 1980). "Dune Genesis". Omni. FrankHerbert.org. Archived from the original on January 7, 2012. Retrieved February 14, 2014. 
  26. ^McNeilly, Willis E. "Herbert, Frank (Patrick)" in Gunn, James. The New Encyclopedia of Science Fiction. London, Viking, 1988. (pp. 222–24) ISBN 0-670-81041-X . "Herbert felt strongly about many causes, particularly ecology ..."
  27. ^"When I was quite young ... I began to suspect there must be flaws in my sense of reality ... But I had been produced to focus on objects (things) and not on systems (processes)." Frank Herbert, "Doll Factory, Gun Factory", (1973 Essay), reprinted in The Maker of Dune:Thoughts of a Science Fiction Master edited by Tim O'Reilly. Berkley Books, 1987 ISBN 0425097854
  28. ^"Frank Herbert's true stroke of genius consisted ... in inviting a way of thinking about humanity, history, religion, and politics as complex and interdependent as ecosystems themselves". Jeffery Nicholas, Dune and Philosophy:Weirding Way of Mentat. Open Court Publishing, 2011 ISBN 0812697154, (p.149).
  29. ^O'Reilly, Tim. Frank Herbert. New York, NY: Frederick Ungar Publishing Co., Inc. ,1981. (pp.59–60) ISBN 0-8044-2666-X . "Much of the Bene Gesserit technology of consciousness is based on the insights of general semantics, a philosophy and training method developed in the 1930s by Alfred Korzybski. Herbert had studied general semantics in San Francisco at about the time he was writing Dune. (At one point, he worked as a ghostwriter for a nationally syndicated column by S. I. Hayakawa, one of the foremost proponents of general semantics.)"
  30. ^Budrys, Algis (April 1966). "Galaxy Bookshelf". Galaxy Science Fiction. pp. 67–75. 
  31. ^"His dominant intellectual impulse was not to mystify or set himself up as a prophet, but the opposite – to turn what powers of analysis he had (and they were considerable) over to his audience. And this impulse is as manifest in Dune, which many people consider the all-time best science fiction novel, as it is in his computer book, Without Me You're Nothing. ppg 2, Touponce 1988
  32. ^"Bibliography: Dune". ISFDB. Retrieved 2013-04-24.
  33. ^Building Sci-fi Moviescapes: The Science Behind the Fiction by Matt Hanson
  34. ^"Frank Herbert Biography Author Page - BestScienceFictionBooks.com". bestsciencefictionbooks.com. 
  35. ^Herbert, Frank (January 1977). Dune (Berkley Medallion ed.). USA: Berkley Publishing Corp. p. Back Cover. ISBN 0425-04376-2. 
  36. ^ abSpeaking at the 2006 induction of Herbert in the Science Fiction Hall of Fame, Kevin J. Anderson stated that Children of Dune (1976) "was the first SF novel ever to hit the New York Times bestseller list." Dune 7 Blog: Wednesday, June 21, 2006: The Science Fiction Hall of FameArchived July 21, 2011, at the Wayback Machine.. By KJA. Dune: The Official Website. Retrieved 2011-07-17. KJA spoke and presented the award to son Brian Herbert.
  37. ^Malcolm Edwards, "Herbert, Frank" in The Encyclopedia of Science Fiction, edited by John Clute and Peter Nicholls. London, Orbit, 1994. ISBN 1-85723-124-4 (p. 558–60).
  38. ^""Presenting the 2006 Hall of Fame Inductees"". Archived from the original on 26 April 2006. Retrieved 19 August 2016. . Press release March 15, 2006. Science Fiction Museum (sfhomeworld.org). Archived 2006-04-26. Retrieved 2013-04-24.
  39. ^"Science Fiction Hall of Fame". The Cohenside. May 15, 2006. Retrieved 2013-03-21.
  40. ^"Remembering Science Fiction Author Frank Herbert: Highlighting His Archives In the Pollak Library". California State University, Fullerton. February 27, 2014. Retrieved October 28, 2014. 
  41. ^Anderson, Kevin J. (March 16, 2012). "New, never-published Frank Herbert novel now available: HIGH-OPP". KJAblog.com. Archived from the original on January 13, 2015. Retrieved January 14, 2015. 
  42. ^Anderson, Kevin J. (May 22, 2013). "New, Previously Unpublished Frank Herbert Novel, ANGELS' FALL". KJAblog.com. Archived from the original on September 16, 2014. Retrieved January 14, 2015. 
  43. ^Anderson, Kevin J. (July 9, 2013). "A GAME OF AUTHORS – another lost Frank Herbert novel". KJAblog.com. Archived from the original on September 16, 2014. Retrieved January 14, 2015. 
  44. ^Anderson, Kevin J. (November 22, 2014). "Off the Radar". KJAblog.com. Archived from the original on December 8, 2014. Retrieved January 15, 2015. 
  45. ^Quinn, Judy (November 17, 1997). "Bantam Pays $3M for Dune Prequels by Herbert's Son". Publishers Weekly. Archived from the original on March 4, 2016. Retrieved February 6, 2014.  
  46. ^"Dune 7 blog: Conspiracy Theories". DuneNovels.com. December 16, 2005. Archived from the original on October 12, 2007. Retrieved October 12, 2008.  
  47. ^Neuman, Clayton (August 17, 2009). "Winds of Dune Author Brian Herbert on Flipping the Myth of Jihad". AMCtv.com. Archived from the original on September 21, 2009. Retrieved March 31, 2014.  
  48. ^"Before Dune, After Frank Herbert". Amazon.com. 2004. Archived from the original on April 9, 2009. Retrieved November 12, 2008.  
  49. ^"Interview with Brian Herbert and Kevin J. Anderson". Arrakis.ru. 2004. Archived from the original on September 8, 2012. Retrieved November 12, 2008.  
  50. ^Ascher, Ian (2004). "Kevin J. Anderson Interview". DigitalWebbing.com. Archived from the original on July 3, 2007. Retrieved July 3, 2007.  
  51. ^Adams, John Joseph (August 9, 2006). "New Dune Books Resume Story". SciFi.com. Archived from the original on December 19, 2007. Retrieved December 19, 2007.

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