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Diane Schoemperlen Bibliography Creator

Joel Thomas Hynes (born 1976 in Calvert, Newfoundland and Labrador) is a Canadian novelist, screenwriter, director, musician and actor.[1] He may be credited as Joel Thomas Hynes or as Joel Hynes when acting, but is always credited as Joel Thomas Hynes as a writer.

His debut novelDown to the Dirt won the Percy Janes First Novel Award, was shortlisted for the Atlantic Book Award and the Winterset Award, and was longlisted for the International IMPAC Dublin Literary Award[2] and the ReLit Award.[3] The novel was subsequently adapted into the film Down to the Dirt, in which Hynes also played the lead role.[4] The unabridged audiobook edition of Down to the Dirt narrated by Johnny Harris, Joel Thomas Hynes and Sherry White was recorded by Rattling Books in 2006.

The follow up to Down to the Dirt was the novel Right Away Monday, also available with Harper Collins Publishers.

Hynes has also performed numerous lead and leading roles for television, film and theatre. His credits include the television series Hatching, Matching and Dispatching (for which he was also a writer), as well as the films Rabbittown, Crackie, The Con Artist, Messiah from Montreal, The Sparky Book, Ashore and numerous others.

Hynes was named Artist of the Year by the Newfoundland and Labrador Arts Council in 2008, has received the Lawrence Jackson Writer's Award, the Summerwork's Theatre Festival's Contra Guys Award, and also in 2008 won the Cuffer Prize.[5] He has also played recurring characters on Republic of Doyle, Orphan Black, Mary Kills People and Frontier.

Hynes's non-fiction book Straight Razor Days was released in September 2011,[1] followed by the gothic novella Say Nothing Saw Wood. In 2017, he won the Governor General's Award for English-language fiction for his novel We'll All Be Burnt in Our Beds Some Night.[6] He wrote the screenplay for and played a supporting character in the 2014 film Cast No Shadow, which also starred his son Percy Hynes White.[7]

Hynes currently lives in Trinity Bay, Newfoundland. He is the nephew of singer-songwriter Ron Hynes.[8]

Works[edit]

Novels[edit]

Audiobooks[edit]

Plays[edit]

  • The Devil You Don't Know (co-written with Sherry White) (2011
  • Say Nothing Saw Wood (2009)
  • Broken Accidents (2010)
  • Incinerator Road (2011)

Chapbook[edit]

  • God Help Thee: A Manifesto (2011)

Non-fiction[edit]

  • Straight Razor Days (2012)

Filmography[edit]

Films[edit]

TV[edit]

References[edit]

  1. ^ ab"You Best Listen Up B'y: Joel Hynes' Novel's Gonna Change Your Life". The Uniter, October 6, 2005.
  2. ^2006 LonglistArchived 2011-01-22 at the Wayback Machine.. International IMPAC Dublin Literary Award.
  3. ^"2005 ReLit Award longlists revealed". Quill & Quire, February 21, 2005.
  4. ^Down to the Dirt at Toronto film fest. Quill & Quire, August 29, 2008.(subscription required)
  5. ^"Joel Hynes named Artist of the Year by Newfoundland and Labrador Arts Council". Quill & Quire, May 16, 2008.
  6. ^"Governor General Literary Awards announced: Joel Thomas Hynes wins top English fiction prize". CBC News, November 1, 2017.
  7. ^"Newfoundland film casts big shadow at festival". The Chronicle-Herald, September 14, 2014.
  8. ^"Singer Ron Hynes brings his folk classic to Greenbank hall". Port Perry Star, November 30, 2014.

External links[edit]

Winners of the Governor General's Award for English-language fiction

1930s
1940s
  • Ringuet, Thirty Acres (1940)
  • Alan Sullivan, Three Came to Ville Marie (1941)
  • G. Herbert Sallans, Little Man (1942)
  • Thomas Head Raddall, The Pied Piper of Dipper Creek (1943)
  • Gwethalyn Graham, Earth and High Heaven (1944)
  • Hugh MacLennan, Two Solitudes (1945)
  • Winifred Bambrick, Continental Revue (1946)
  • Gabrielle Roy, The Tin Flute (1947)
  • Hugh MacLennan, The Precipice (1948)
  • Philip Child, Mr. Ames Against Time (1949)
1950s
  • Germaine Guèvremont, The Outlander (1950)
  • Morley Callaghan, The Loved and the Lost (1951)
  • David Walker, The Pillar (1952)
  • David Walker, Digby (1953)
  • Igor Gouzenko, The Fall of a Titan (1954)
  • Lionel Shapiro, The Sixth of June (1955)
  • Adele Wiseman, The Sacrifice (1956)
  • Gabrielle Roy, Street of Riches (1957)
  • Colin McDougall, Execution (1958)
  • Hugh MacLennan, The Watch That Ends the Night (1959)
1960s
1970s
  • Dave Godfrey, The New Ancestors (1970)
  • Mordecai Richler, St. Urbain's Horseman (1971)
  • Robertson Davies, The Manticore (1972)
  • Rudy Wiebe, The Temptations of Big Bear (1973)
  • Margaret Laurence, The Diviners (1974)
  • Brian Moore, The Great Victorian Collection (1975)
  • Marian Engel, Bear (1976)
  • Timothy Findley, The Wars (1977)
  • Alice Munro, Who Do You Think You Are? (1978)
  • Jack Hodgins, The Resurrection of Joseph Bourne (1979)
1980s
  • George Bowering, Burning Water (1980)
  • Mavis Gallant, Home Truths: Selected Canadian Stories (1981)
  • Guy Vanderhaeghe, Man Descending (1982)
  • Leon Rooke, Shakespeare's Dog (1983)
  • Josef Skvorecky, The Engineer of Human Souls (1984)
  • Margaret Atwood, The Handmaid's Tale (1985)
  • Alice Munro, The Progress of Love (1986)
  • M. T. Kelly, A Dream Like Mine (1987)
  • David Adams Richards, Nights Below Station Street (1988)
  • Paul Quarrington, Whale Music (1989)
1990s
  • Nino Ricci, Lives of the Saints (1990)
  • Rohinton Mistry, Such a Long Journey (1991)
  • Michael Ondaatje, The English Patient (1992)
  • Carol Shields, The Stone Diaries (1993)
  • Rudy Wiebe, A Discovery of Strangers (1994)
  • Greg Hollingshead, The Roaring Girl (1995)
  • Guy Vanderhaeghe, The Englishman's Boy (1996)
  • Jane Urquhart, The Underpainter (1997)
  • Diane Schoemperlen, Forms of Devotion (1998)
  • Matt Cohen, Elizabeth and After (1999)
2000s
  • Michael Ondaatje, Anil's Ghost (2000)
  • Richard B. Wright, Clara Callan (2001)
  • Gloria Sawai, A Song for Nettie Johnson (2002)
  • Douglas Glover, Elle (2003)
  • Miriam Toews, A Complicated Kindness (2004)
  • David Gilmour, A Perfect Night to Go to China (2005)
  • Peter Behrens, The Law of Dreams (2006)
  • Michael Ondaatje, Divisadero (2007)
  • Nino Ricci, The Origin of Species (2008)
  • Kate Pullinger, The Mistress of Nothing (2009)
2010s

For the Australian actress, see Margaret Laurence (actress).

Jean Margaret Laurence, CC (née Wemyss) (18 July 1926 – 5 January 1987) was a Canadian novelist and short story writer, and is one of the major figures in Canadian literature. She was also a founder of the Writers' Trust of Canada, a non-profit literary organization that seeks to encourage Canada's writing community.

Biography[edit]

Early years[edit]

Margaret Laurence was born Jean Margaret Wemyss in Neepawa, Manitoba, the daughter of solicitor Robert Wemyss and Verna Jean Simpson. She was known as "Peggy" during her childhood. Her mother died when she was four, after which a maternal aunt, Margaret Simpson, came to take care of the family. A year later Margaret Simpson married Robert Wemyss, and in 1933 they had a son, Robert. In 1935, when Laurence was nine, Robert Wemyss Sr. died of pneumonia. Laurence then moved into her maternal grandfather's home with her stepmother and half-brother. She lived in Neepawa until she was 18.

Education[edit]

In 1944, Laurence attended Winnipeg's United College, an arts and theology college associated with the University of Manitoba, that would later become the University of Winnipeg.[1] Before attending, she applied for academic scholarships that were granted based on her academic record and financial need.[2] During her first year at United College, Laurence studied in a liberal arts program which included courses in English, History, Ethics, and Psychology. Laurence's interest in English literature was present even in high school, and her interest in writing her own works continued into her formal education. Within the first few weeks of attending the college, Laurence had works of poetry published in the University of Manitoba's publication The Manitoban.[2] She submitted this work under the pseudonym "Steve Lancaster", in what she later credits as a reference to the Lancaster bomber, a highly powerful and successful bomber of the Second World War. Another of Laurence's achievements during her first year of college was being welcomed into the English Club, an organization of senior students who discussed poetry, led by professor Arthur L. Phelps.[3] This was her first time being around peers who were also passionate about literature, and it was an opportunity for her to expand her knowledge as both scholar and writer. "Tony's", a part-cafeteria, part-coffee shop in the basement of United College, was another important place for Laurence to share her literary interests with colleagues. She would meet with friends and discuss literature; those who were writers would share their works with the group.[3] Laurence's years in college not only shaped her from an academic perspective, they also provided opportunities for her to develop creatively and professionally.

During this period Laurence became associated with the leftist intellectual movement the "Social Gospel", which would remain important to her for the remainder of her life. In her senior year of college, Laurence had an increasing number of responsibilities while also continuing to have her own work printed in local publications. She became an associate editor of Vox, United College's literary journal, and was also the publicity president of the Student's Council.[2] These opportunities encouraged Laurence to hone her craft of writing, while also giving her the tools to work in journalism—as she would do upon graduation. She showed promise and success in her early literary pursuits. During her undergrad, Laurence had at least eighteen poems, three short stories, and a critical essay published.[2]

Laurence graduated with a Bachelor of Arts in English Literature in 1947.[3]

Later life[edit]

Following her graduation from United College, Laurence worked at the independent newspaper the Winnipeg Citizen, which was owned cooperatively by citizens.[2] Also not long after graduating, she married Jack Fergus Laurence, an engineer. His job took them to England (1949), the then-British protectorate of British Somaliland (1950–1952), as well as the British colony of the Gold Coast (1952–1957). Laurence developed an admiration for Africa and its various populations, which found expression in her writing. Laurence was so moved by the oral literature of Somaliland that she began recording and translating poetry and folk tales, which would later be compiled into the work A Tree for Poverty: Somali Poetry and Prose (1954).[1]

In 1952, Laurence gave birth to daughter Jocelyn during a leave in England. Son David was born in 1955 in the Gold Coast. The family left the Gold Coast just before it gained independence as Ghana in 1957, moving to Vancouver, British Columbia, where they stayed for five years.

In 1962, she separated from her husband and moved to London, England for a year. She then moved to Elm Cottage (Penn, Buckinghamshire) where she lived for more than ten years, although she visited Canada often. Her divorce became final in 1969. That year, she became writer-in-residence at the University of Toronto. A few years later, she moved to Lakefield, Ontario. She also bought a cabin on the Otonabee River near Peterborough, where she wrote The Diviners (1974) during the summers of 1971 to 1973. In 1978, she was the subject of a National Film Board of Canada documentary, Margaret Laurence: First Lady of Manawaka.[4] Laurence served as Chancellor of Trent University in Peterborough from 1981 to 1983.

In 1986, Laurence was diagnosed with lung cancer late in the disease's development. According to the James King biography, The Life of Margaret Laurence, the prognosis was grave, and as the cancer had spread to other organs, there was no treatment offered beyond palliative care. Laurence decided the best course of action was to spare herself and her family further suffering. She committed suicide at her home at 8 Regent St., Lakefield, on January 5, 1987, documenting her decision in writing up to the time of her death. She was buried in her hometown in the Neepawa Cemetery, Neepawa, Manitoba. Laurence's house in Neepawa has been turned into a museum. Her literary papers are housed in the Clara Thomas Archives at York University in Toronto and at McMaster University's William Ready Division of Archives and Research Collections in Hamilton.

Literary career[edit]

One of Canada's most esteemed and beloved authors by the end of her literary career,[5] Laurence began writing short stories in her teenage years while in Neepawa. Her first published piece "The Land of Our Father" was submitted to a competition held by the Winnipeg Free Press. This story contains the first appearance of the name "Manawaka" (a fictional Canadian town used in many of her later works).[6] Shortly after her marriage, Margaret began to write more prolifically, as did her husband. Each published fiction in literary periodicals while living in Africa, but Margaret continued to write and expand her range. Her early novels were influenced by her experience as a minority in Africa. They show a strong sense of Christian symbolism and ethical concern for being a white person in a colonial state.

It was after her return to Canada that she wrote The Stone Angel (1964), the novel for which she is best known. Set in a fictional Manitoba small town called Manawaka, the story is narrated by ninety-year-old Hagar Shipley, alternating between her present moments and recollections of her entire life. The novel was for a time required reading in many North American school systems and colleges.[7] Laurence went on to write four more works of fiction set in Manawaka. Laurence was published by Canadian publishing company McClelland and Stewart, and she became one of the key figures in the emerging Canadian literature tradition.

The Stone Angel, a feature-length film based on Laurence's novel, written and directed by Kari Skogland and starring Ellen Burstyn premiered in Fall 2007.

Awards and recognition[edit]

Laurence won two Governor General's Awards for her novels A Jest of God (1966) and The Diviners (1974). In 1972 she was made a Companion of the Order of Canada.

The Margaret Laurence Memorial Lecture is an annual lecture series organized by the Writers' Trust of Canada.

The Stone Angel was one of the selected books in the 2002 edition of Canada Reads, championed by Leon Rooke.

The University of Winnipeg named a Women's Studies Centre, and an annual speaker series, in Laurence's honour.

At York University in Toronto, one of the undergraduate residence buildings (Bethune Residence) named a floor after her.

In 2016, she was named a National Historic Person.[8]

Bibliography[edit]

Novels[edit]

Short story collections[edit]

Children's books[edit]

  • Jason's Quest (1970)
  • Six Darn Cows (1979)
  • The Olden Days Coat (1980)
  • The Christmas Birthday Story (1982)

Non-fiction[edit]

Notes[edit]

References[edit]

  • King, James. The Life of Margaret Laurence. Toronto: Vintage Canada, 1998. ISBN 0-676-97129-6.
  • Powers, Lyall. Alien Heart: The Life and Work of Margaret Laurence. East Lansing: Michigan State University Press, 2004. ISBN 0-87013-714-X.
  • New, W. H., ed. Margaret Laurence: the Writer and Her Critics (1977)
  • Thomas, Clara. Margaret Laurence (1969)
  • Thomas, Clara. The Manawaka World of Margaret Laurence (1975)
  • Woodcock, George, ed. A Place To Stand On: Essays By and About Margaret Laurence (1983)
  • Mujahid,Syed:Feminism in Margaret Laurence's 'The Stone Angel',Synthesis:Indian Journal of English Literature & Language,Vol.2.No.2pp.95–101
  • Gupta,Rashmi:Social Taboo of Patriarchal Society:A reading of Margaret Laurence's A Jest of God.Synthesis:Indian Journal of English Literature & Language,Vol.2.No.2pp.102–106
  • Shiny,V.S.:Sundogs-A post-colonial Protest and Affirmation of the Native Canadian Consciousness.Synthesis:Indian Journal of English Literature & Language,Vol.2.No.2pp.102–107

External links[edit]

Winners of the Governor General's Award for English-language fiction

1930s
1940s
  • Ringuet, Thirty Acres (1940)
  • Alan Sullivan, Three Came to Ville Marie (1941)
  • G. Herbert Sallans, Little Man (1942)
  • Thomas Head Raddall, The Pied Piper of Dipper Creek (1943)
  • Gwethalyn Graham, Earth and High Heaven (1944)
  • Hugh MacLennan, Two Solitudes (1945)
  • Winifred Bambrick, Continental Revue (1946)
  • Gabrielle Roy, The Tin Flute (1947)
  • Hugh MacLennan, The Precipice (1948)
  • Philip Child, Mr. Ames Against Time (1949)
1950s
  • Germaine Guèvremont, The Outlander (1950)
  • Morley Callaghan, The Loved and the Lost (1951)
  • David Walker, The Pillar (1952)
  • David Walker, Digby (1953)
  • Igor Gouzenko, The Fall of a Titan (1954)
  • Lionel Shapiro, The Sixth of June (1955)
  • Adele Wiseman, The Sacrifice (1956)
  • Gabrielle Roy, Street of Riches (1957)
  • Colin McDougall, Execution (1958)
  • Hugh MacLennan, The Watch That Ends the Night (1959)
1960s
1970s
  • Dave Godfrey, The New Ancestors (1970)
  • Mordecai Richler, St. Urbain's Horseman (1971)
  • Robertson Davies, The Manticore (1972)
  • Rudy Wiebe, The Temptations of Big Bear (1973)
  • Margaret Laurence, The Diviners (1974)
  • Brian Moore, The Great Victorian Collection (1975)
  • Marian Engel, Bear (1976)
  • Timothy Findley, The Wars (1977)
  • Alice Munro, Who Do You Think You Are? (1978)
  • Jack Hodgins, The Resurrection of Joseph Bourne (1979)
1980s
  • George Bowering, Burning Water (1980)
  • Mavis Gallant, Home Truths: Selected Canadian Stories (1981)
  • Guy Vanderhaeghe, Man Descending (1982)
  • Leon Rooke, Shakespeare's Dog (1983)
  • Josef Skvorecky, The Engineer of Human Souls (1984)
  • Margaret Atwood, The Handmaid's Tale (1985)
  • Alice Munro, The Progress of Love (1986)
  • M. T. Kelly, A Dream Like Mine (1987)
  • David Adams Richards, Nights Below Station Street (1988)
  • Paul Quarrington, Whale Music (1989)
1990s
  • Nino Ricci, Lives of the Saints (1990)
  • Rohinton Mistry, Such a Long Journey (1991)
  • Michael Ondaatje, The English Patient (1992)
  • Carol Shields, The Stone Diaries (1993)
  • Rudy Wiebe, A Discovery of Strangers (1994)
  • Greg Hollingshead, The Roaring Girl (1995)
  • Guy Vanderhaeghe, The Englishman's Boy (1996)
  • Jane Urquhart, The Underpainter (1997)
  • Diane Schoemperlen, Forms of Devotion (1998)
  • Matt Cohen, Elizabeth and After (1999)
2000s
  • Michael Ondaatje, Anil's Ghost (2000)
  • Richard B. Wright, Clara Callan (2001)
  • Gloria Sawai, A Song for Nettie Johnson (2002)
  • Douglas Glover, Elle (2003)
  • Miriam Toews, A Complicated Kindness (2004)
  • David Gilmour, A Perfect Night to Go to China (2005)
  • Peter Behrens, The Law of Dreams (2006)
  • Michael Ondaatje, Divisadero (2007)
  • Nino Ricci, The Origin of Species (2008)
  • Kate Pullinger, The Mistress of Nothing (2009)
2010s
Marker for Margaret Laurence at Neepawa, Manitoba
  1. ^ abStaines, David (2001). Margaret Laurence: Critical Reflections. Ottawa: University of Ottawa Press. p. 2. ISBN 9780776604466. 
  2. ^ abcdeXiques, Donez (2005). Margaret Laurence: The Making of a Writer. Toronto: Dundurn Press. p. 133. ISBN 9781550025798. 
  3. ^ abcPowers, Lyall; Bumsted, J.M. (2005). Alien Heart: The Life and Work of Margaret Laurence. Winnipeg: University of Manitoba Press. p. 56. ISBN 9780887551758. 
  4. ^Alexander, Geoff (2013-12-27). Films You Saw in School: A Critical Review of 1,153 Classroom Educational Films (1958-1985) in 74 Subject Categories. McFarland. p. 222. ISBN 9780786472635. 
  5. ^Margaret Laurence: Canada's Divine Writer | CBC Archives
  6. ^The Life of Margaret Laurence, James King. Alfred A. Knopf. 1997
  7. ^Review - The Stone Angel by Margaret Laurence - January Magazine
  8. ^Margaret Laurence (1926-1987), Parks Canada backgrounder, Feb. 15, 2016Archived 2016-03-04 at the Wayback Machine.

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